shack
04-21-2004, 01:57 AM
Ok...due to schedule, delays etc., I am now in posession of two of the Cable Swap Program cables at the same time. The AudioQuest Diamondbacks and the Nordost Solar Winds. I thought this would be a great time to have a shoot-out of moderately price cables on a moderately priced system. The system is set up and consists of a Denon DRA-685 Stereo Reciver @ 100wpc, a Cambridge Audio D500SE CDP and Polk RT25i bookshelf speakers. No subwoofer. (I might throw in my RT55i speakers...but maybe not). At MSRP this is about a $1,300 to $1,400 system before wire and cables. So as not to add a component from the same company... instead of using my AudioQuest speaker cables I'm using 12 ga. Megacable speaker wire from Radio Shack @ .99 per ft.
After listening to several CDs, I settled on Steely Dan's latest CD Everything Must Go as my test disc. It is a nice CD that is very well recorded with good variety of music. I felt it would be a good CD to hear the differences and/or nuances (if any) between the cables.
Just to add another wrinkle, I am adding some other cables that I own to the mix. The picture below is from left to right:
Generic "mass market" interconnect that you might find in any CD player from Sony, Yamaha, etc. This will be the BASE LINE from which to start the comparison.
Next is the imfamous AudioQuest G-String. The most basic interconnect they made.
The replacement model for the G-String...The AudioQuest G-Snake (keeping with the overall serpent theme AudiQuest uses)
The AudioQuest Sidewinder.
The AudioQuest Diamondback.
And the Nordost Solar Winds.
This shootout will hopefully answer a few questions regarding cables/interconnects on a moderately priced stereo system:
1) As you move up the product line of a company (AudioQuest in this case), do you get significant improvements, are they subtle changes or any improvement at all.
2) With cables of similar price but different design (Diamondbacks vs Solar Winds) how much if any difference can you hear.
3) How much better are $100± cables vs $20± cables.
4) Are the "designer" cables really better than "baseline" $3.00 cables.
The gear is all set up and I'm kicking the family out for the next two nights to do this. I'll report my findings in a few days.
After listening to several CDs, I settled on Steely Dan's latest CD Everything Must Go as my test disc. It is a nice CD that is very well recorded with good variety of music. I felt it would be a good CD to hear the differences and/or nuances (if any) between the cables.
Just to add another wrinkle, I am adding some other cables that I own to the mix. The picture below is from left to right:
Generic "mass market" interconnect that you might find in any CD player from Sony, Yamaha, etc. This will be the BASE LINE from which to start the comparison.
Next is the imfamous AudioQuest G-String. The most basic interconnect they made.
The replacement model for the G-String...The AudioQuest G-Snake (keeping with the overall serpent theme AudiQuest uses)
The AudioQuest Sidewinder.
The AudioQuest Diamondback.
And the Nordost Solar Winds.
This shootout will hopefully answer a few questions regarding cables/interconnects on a moderately priced stereo system:
1) As you move up the product line of a company (AudioQuest in this case), do you get significant improvements, are they subtle changes or any improvement at all.
2) With cables of similar price but different design (Diamondbacks vs Solar Winds) how much if any difference can you hear.
3) How much better are $100± cables vs $20± cables.
4) Are the "designer" cables really better than "baseline" $3.00 cables.
The gear is all set up and I'm kicking the family out for the next two nights to do this. I'll report my findings in a few days.