RonS
03-13-2005, 02:37 PM
Hello,
I just installed a set of DB6500s in the front doors and a set of DB525s in the rear of my wife's ext-cab Tacoma. (Yes I will probably regret the 525s from a power/imaging perspective :) ) Power (for now) is coming from a new Alpine CDA-9833, which claims to have a legitimate MOSFET amp, and from the clean sound and power, I think they're being truthful. For right now, there is no sub, although I wil probably add a clarion SRV303 (or two) under her seats in the future.
The CDA-9833 has an extensive set of crossover/equalizer settings. I can choose independent front/rear crossover points.
My question for right now: does anyone have suggestions as to the point and slope for hi-pass crossover settings for the 6500s and 525s? I was thinking about using a 6db slope at Polk's specifications for the low frequency capabilities of each driver, i.e.:
DB6500: 6db @40Hz
DB525: 6db @60Hz
What do you think?
Bonus question: it used to be held as a common belief that oval drivers always add distortion to the soundfield as compared to round drivers. Is that still the case?
Thanks in advance!
--RonS
I just installed a set of DB6500s in the front doors and a set of DB525s in the rear of my wife's ext-cab Tacoma. (Yes I will probably regret the 525s from a power/imaging perspective :) ) Power (for now) is coming from a new Alpine CDA-9833, which claims to have a legitimate MOSFET amp, and from the clean sound and power, I think they're being truthful. For right now, there is no sub, although I wil probably add a clarion SRV303 (or two) under her seats in the future.
The CDA-9833 has an extensive set of crossover/equalizer settings. I can choose independent front/rear crossover points.
My question for right now: does anyone have suggestions as to the point and slope for hi-pass crossover settings for the 6500s and 525s? I was thinking about using a 6db slope at Polk's specifications for the low frequency capabilities of each driver, i.e.:
DB6500: 6db @40Hz
DB525: 6db @60Hz
What do you think?
Bonus question: it used to be held as a common belief that oval drivers always add distortion to the soundfield as compared to round drivers. Is that still the case?
Thanks in advance!
--RonS