pensacola
03-15-2002, 10:21 PM
I would be interested in knowing what everyone's favorite CD's are for putting a system through its paces (either in an audio store, or when you just want to "tweak" your neighbors).
~
For sheer power and SPL:
1. Pomp & Pipes, music for organ, winds, brass & percussion—
REFERENCE RECORDINGS
Powerful bass drum whacks and deep bass from the organ.
2. Holst: The Planets, Royal Phil. Orch.—
TELARC
Probably the most well-recorded bass drum around (I swear they put a mic inside of it). Huge soundstage, thanks to Telarc's "three spaced-omni's" minimalist mic'ing philosophy.
3. Mussorgsky: Pictures at an Exhibition, Chicago S.O.—
CHANDOS
Great full orchestra climax in "The Great Gate at Kiev".
~
For female vocal:
Linda Ronstadt: Cry Like A Rainstorm-Howl Like The Wind—
ELEKTRA
Heavily orchestrated and over-produced, perhaps, but well-mastered.
~
For male vocal:
Dire Straits: Brothers In Arms—
WARNER BROS.
One of the first digital pop/rock albums—a classic. Good vocals, great drums and cymbals.
~
For acoustic jazz/small ensemble:
After Hours—
TELARC
3-piece jazz combo recorded in an auditorium. Great hall ambience. Natural sounding piano, upright bass, and guitar—no sound processing.
~
For bass extension:
1. Pictures at an Exhibition (trans. for organ)—
DORIAN
Mega bass energy in the 16-32 Hz octave. Puts speakers and amps to the ultimate test in the final minute of this 35-minute work.
2. Saint-Saëns: Sym. No. 3, "Organ Symphony"—
PHILIPS
The last measures of the finale contain a decending octave scale in the 32' pipes of the pedal—starting at 32 Hz and ending up at 16 Hz. A challenge for any speaker, at any price.
3. Bach: The Great Organ At Methuen (Michael Murray)—
TELARC
Particularly the Passacaglia & Fugue in C minor, ending with full organ with the low "C" (16 Hz) in the pedal.
~
Stereophile also makes a couple of good test CD's, containing both music and test tones, but I think they're better for checking room acoustics and speaker placement at home.
~
For sheer power and SPL:
1. Pomp & Pipes, music for organ, winds, brass & percussion—
REFERENCE RECORDINGS
Powerful bass drum whacks and deep bass from the organ.
2. Holst: The Planets, Royal Phil. Orch.—
TELARC
Probably the most well-recorded bass drum around (I swear they put a mic inside of it). Huge soundstage, thanks to Telarc's "three spaced-omni's" minimalist mic'ing philosophy.
3. Mussorgsky: Pictures at an Exhibition, Chicago S.O.—
CHANDOS
Great full orchestra climax in "The Great Gate at Kiev".
~
For female vocal:
Linda Ronstadt: Cry Like A Rainstorm-Howl Like The Wind—
ELEKTRA
Heavily orchestrated and over-produced, perhaps, but well-mastered.
~
For male vocal:
Dire Straits: Brothers In Arms—
WARNER BROS.
One of the first digital pop/rock albums—a classic. Good vocals, great drums and cymbals.
~
For acoustic jazz/small ensemble:
After Hours—
TELARC
3-piece jazz combo recorded in an auditorium. Great hall ambience. Natural sounding piano, upright bass, and guitar—no sound processing.
~
For bass extension:
1. Pictures at an Exhibition (trans. for organ)—
DORIAN
Mega bass energy in the 16-32 Hz octave. Puts speakers and amps to the ultimate test in the final minute of this 35-minute work.
2. Saint-Saëns: Sym. No. 3, "Organ Symphony"—
PHILIPS
The last measures of the finale contain a decending octave scale in the 32' pipes of the pedal—starting at 32 Hz and ending up at 16 Hz. A challenge for any speaker, at any price.
3. Bach: The Great Organ At Methuen (Michael Murray)—
TELARC
Particularly the Passacaglia & Fugue in C minor, ending with full organ with the low "C" (16 Hz) in the pedal.
~
Stereophile also makes a couple of good test CD's, containing both music and test tones, but I think they're better for checking room acoustics and speaker placement at home.