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  1. #1

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    Question preamp or "no" preamp

    Have a friend (true,only one but its a start) who while his pas3 is in the shop is connecting his cd and tuner direct to his amp,( with "incredible results" I've heard of this before but it makes Me wonder why we use preamps other that having to use of phono or tape loops. He claims better or at least equal sound quality! What's going on here? I haven't tried this myself till I get more info, it just made me curious ie "shorter signal path, less ele. Between source and amp ect. Any downsides to this?

  2. #2

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    I've ran my CD player direct into my amp before, less in the signal path. The downside would be if your source has no volume control (most tuners), or if you have more than one source. Most amps only have one input.

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    Yea I could that but his and my amp have gain controls, he says they work just fine for volume control. I only have 2 inputs in my pre anyway ( line stage tube pre) how is the sound without your pre inline?

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    The gain controls on your amp is functioning as a pre-amp. Most audiophile amps don't have gain controls.......less in the signal path.
    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass

    Pass Aleph 30; Adcom GFP750/Dared SL2000A; Adcom GDA600; MIT S3/Z Pc; SDA 1C; Squeezebox; Tubes add soul!

  5. #5
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    With the consolidation of media down to one source it is easier than ever to cut out a whole lot of electronics.

    I am going to most likely do a battery powered Media PC (not a laptop but a desktop) with the E-MU 1212m PCIe going directly to the amp. It will be able to play my ripped collection, FM/AM, Internet Radio (Pandora etc...).

    Gain controls on an amp are NOT meant for volume controls. They are input signal attenuators. You only turn the gain knobs up far enough that the input voltage can drive the amplifier to it's maximum output. You then leave the gain control alone. Read up on gain matching.

    You use the volume in your source.

  6. #6

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    Volume in a source whether it be a cdp or computer is still considered a pre-amp. It's an extra "stage" and more components in the chain. Plus the attenuators in components are usually very cheap and have extremely poor channel tracking.

    I'd take a well designed pre-amp over a computer/soundcard everyday and twice on Sunday.

    H9
    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass

    Pass Aleph 30; Adcom GFP750/Dared SL2000A; Adcom GDA600; MIT S3/Z Pc; SDA 1C; Squeezebox; Tubes add soul!

  7. #7
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    Quote Originally Posted by heiney9 View Post
    Volume in a source whether it be a cdp or computer is still considered a pre-amp. It's an extra "stage" and more components in the chain. Plus the attenuators in components are usually very cheap and have extremely poor channel tracking.

    I'd take a well designed pre-amp over a computer/soundcard everyday and twice on Sunday.

    H9
    So cards like the Emu 1212m, Lynx, RME can't have properly designed pre-amps?

    I'll take a well designed anything over a poorly designed anything. The fact that I get a zero latency bus with a PCIe card vs USB cuts out a whole other set of compromises plus an external pre-amp with all it's electronics. It's that much closer to the source.

    So low latency, low jitter, low parts count, closer to the source. No clunky CD transport...

    I know in case of the Emu it also has TOSLink, S/Pdif, and AES/EBU out. Extremely flexible solution. Almost any source is going to have what you are talking about. Are you saying that you will feed your pre-amp digitally?
    Last edited by jinjuku; 05-20-2011 at 09:26 AM.

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    Was just courious how this worked, my pre touts one of the shortest signal paths available ( h-9,I know you have the same one) and I really like what this pre does to my music.

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    I don't know about the shortest signal path available, but it is basically a linestage passive. Very short and simple signal path and sounds a helluva lot better than it should given it's price point.

    It has been one of the more pleasant surprises in my long audio journey. With the right tubes, it's simply spectacular.

    H9
    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass

    Pass Aleph 30; Adcom GFP750/Dared SL2000A; Adcom GDA600; MIT S3/Z Pc; SDA 1C; Squeezebox; Tubes add soul!

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    Trying my CDP direct into my amp years ago is what convinced me to go passive. I now use a Placette linestage for volume control. Super linear presentation. My CEC, when run analog out, has a single-ended class a output.

    You can go passive provided all your sources can drive the amp to full (or near full output); for most amps, that means an output from the source of 1.5-2.0 volts (my Parasound requires 1.5v in to produce full output). The only issue I sometimes have is with some DTV channels with very, very low output--though they still drive my amp to loud enough levels. I've never had a problem with DVD/BluRay or CD inputs.

    To verify this, look at the input levels required for your amp (per it's specs). Then ensure all your sources output at least the minimum required to match the amp.
    Last edited by steveinaz; 05-20-2011 at 10:14 AM.

    Source: C.E.C. CD-3300 CD Transport
    DAC: Benchmark DAC/PRE
    Linestage: Placette Audio Passive
    Power Amp: Parasound HCA-1500A
    Speakers: Harbeth Compact 7ES-3 Monitor

    Stop dissecting and start listening. - Steve in Arizona

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    I agree with u on the sl2000a pre! Truly remarkable!! I have to admit when I first saw it I giggled a little. But when I listened to it I was amazed,totaly blown away to be truthful. And the price is stupid good. And when I went to seiman than to telefunkin tubes " holy
    Crap" I wish they had one with tape loops and phono, I woulnt hessitate to but one! In fact I'm dying to find someone in my area with one of their amps to listen to!

  12. #12

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    They do.

    http://www.dared.us/products_mc7p.php

    It's a lot more money and whole lot more to re-tube.

    I have 2 of the Dared integrated amps and they are superb, just like the pre-amp. I have an MP-5 and VP-16. My VP-16 is the newer model with piano gloss sides and Auricaps.

    http://www.enjoythemusic.com/magazin.../dared_mp5.htm

    http://www.6moons.com/audioreviews/dared2/vp16.html

    http://daredtubeaudio.bravehost.com/VP-16.htm

    They aren't going anywhere. In fact I found a seller in the UK that has NIB VP-16's and I'm thinking of another one just to have as a back up. Again, as with all my tube gear, I have gone overboard getting the best tubes available and it makes a HUGE difference.

    H9
    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass

    Pass Aleph 30; Adcom GFP750/Dared SL2000A; Adcom GDA600; MIT S3/Z Pc; SDA 1C; Squeezebox; Tubes add soul!

  13. #13

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    That pre looks purdy!! What price range on the 7p also did they make any straight amps. In the recent past?
    Looks like about 3 to 4 hundo to retube! But like you said its worth it! The diff. They make is astonishing! 1st time in 40 years I'm completely satisfied with the sound I'm hearing.That pre brought my amp ALIVE and the rta 12b's couldn't sound better. Been thinking about moding the 12b's but can't bring myself to touch them. If I ever find an extra pair of xoveres I can afford I might mod them,that way if I don't like them I can revert back easily and not butcher the speakers. "Butcher" maybe too strong a word,( no offense ment) but I like stuff original as poss. But........ Always filling to learn. Those 12's just don't need a lot of improvement in my mind. I think it a matter of synergy with the equip. Each piece just work so nicely together that "the. Sum of the whole out weights the sum of the parts". just though trial and experimenting I hit on this combo and it works. Its a blind pig and the acorn kinda thing I think! LOL

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    Btw I don't stream thru a computer but direct into the pre with a gateway device- less loss and to artifacts added to the sound. Very clean and dynamic!

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    The w4s dac2 has volume control and makes me think if adding a pre amp to this would make the sound degrade ?

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    If your using it in line level mode, no--provided you've got a good preamp to begin with. It really depends on which unit has a better preamp section.

    My Benchmark can work as either a preamp, or line level DAC--I use it as the latter, because my Placette is more transparent as a passive linestage.
    Last edited by steveinaz; 05-20-2011 at 03:59 PM.

    Source: C.E.C. CD-3300 CD Transport
    DAC: Benchmark DAC/PRE
    Linestage: Placette Audio Passive
    Power Amp: Parasound HCA-1500A
    Speakers: Harbeth Compact 7ES-3 Monitor

    Stop dissecting and start listening. - Steve in Arizona

  17. #17

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    Quote Originally Posted by heiney9 View Post
    I don't know about the shortest signal path available, but it is basically a linestage passive.
    If it has a tube(or transistor ,opamp etc.) in the signal path it's not passive.

  18. #18

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    ^exactly. It's a linestage, but not a passive linestage. Big difference.
    Last edited by steveinaz; 05-20-2011 at 04:00 PM.

    Source: C.E.C. CD-3300 CD Transport
    DAC: Benchmark DAC/PRE
    Linestage: Placette Audio Passive
    Power Amp: Parasound HCA-1500A
    Speakers: Harbeth Compact 7ES-3 Monitor

    Stop dissecting and start listening. - Steve in Arizona

  19. #19

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    Yep guys, I ran out of time to edit. I meant line stage and added the word passive since it was on the brain. It's not passive.

    H9
    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass

    Pass Aleph 30; Adcom GFP750/Dared SL2000A; Adcom GDA600; MIT S3/Z Pc; SDA 1C; Squeezebox; Tubes add soul!

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    Quote Originally Posted by polkfarmboy View Post
    The w4s dac2 has volume control and makes me think if adding a pre amp to this would make the sound degrade ?
    Using their STP-SE as a preamp sounds better than using the DAC-2 to control the volume.
    "He who fights with monsters should look to it that he himself does not become a monster. And when you gaze long into an abyss the abyss also gazes into you." Friedrich Nietzsche

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    Wether it be an impedance mismatch thing or something else I have found that using passive attenuators can depending on associated components give the impression of reduced bass slam and dynamic punch.

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    "NOW FOR SOMETHING TOALLY DIFFRENT" how do you guys put those little quips on the bottom of your threads, can't find where to do it?

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    Edit your signature in your control panel "User CP" above.

    Source: C.E.C. CD-3300 CD Transport
    DAC: Benchmark DAC/PRE
    Linestage: Placette Audio Passive
    Power Amp: Parasound HCA-1500A
    Speakers: Harbeth Compact 7ES-3 Monitor

    Stop dissecting and start listening. - Steve in Arizona

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    Quote Originally Posted by soundfreak1 View Post
    "NOW FOR SOMETHING TOALLY DIFFRENT" how do you guys put those little quips on the bottom of your threads, can't find where to do it?
    Quick Links -> Edit Signature
    7.1 - polk RTi10 x 3 (LCR) : FXi3 x 2 : RTi4 x 4 : MFW-15 : Yamaha Aventage RX-A1000 : Adcom GFA-7500 : PS3 : Squeezebox Touch : DIRECTV : Panasonic PT-AX200U PJ @120"
    5.1 - Definitive Technology ProMonitor 800 x 4 : ProCenter 1000 : Klipsch Sub-10 : Onkyo TX-SR575 : DIRECTV HR22 DVR : LG 50PQ30 HDTV
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    Quote Originally Posted by steveinaz View Post
    Edit your signature in your control panel "User CP" above.
    Or that! :tongue:
    7.1 - polk RTi10 x 3 (LCR) : FXi3 x 2 : RTi4 x 4 : MFW-15 : Yamaha Aventage RX-A1000 : Adcom GFA-7500 : PS3 : Squeezebox Touch : DIRECTV : Panasonic PT-AX200U PJ @120"
    5.1 - Definitive Technology ProMonitor 800 x 4 : ProCenter 1000 : Klipsch Sub-10 : Onkyo TX-SR575 : DIRECTV HR22 DVR : LG 50PQ30 HDTV
    Garage Duty - polk Monitor 10s : Pioneer A-717 Integrated Amp : Squeezebox Classic

  26. #26

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    Quote Originally Posted by FTGV View Post
    Wether it be an impedance mismatch thing or something else I have found that using passive attenuators can depending on associated components give the impression of reduced bass slam and dynamic punch.
    Sometimes I think that is a "which came first, the chicken or egg" scenario. It may be that active preamps are adding some slam (due to preamplification), and when the passive is in place, you're hearing the signal as it was originally...but who knows?

    When my Benchmark was being used as my preamp, there was a bit more slam--but at the expense of the absolute frequency linearity I get with the Placette; so it's a trade-off. My gut feeling is, that the BM is adding some tonal color.

    Not everyone likes the transparent tonal "flavor" for sure.
    Last edited by steveinaz; 05-20-2011 at 05:54 PM.

    Source: C.E.C. CD-3300 CD Transport
    DAC: Benchmark DAC/PRE
    Linestage: Placette Audio Passive
    Power Amp: Parasound HCA-1500A
    Speakers: Harbeth Compact 7ES-3 Monitor

    Stop dissecting and start listening. - Steve in Arizona

  27. #27

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    Thanks for the edit clue, hope that worked.
    Main rig:

    PARASOUND HCA1200 ( MODDED.)
    MIT exp 1 ic's
    Perreaux SA33 class A preamp
    AQ kingcobra ic's
    ADCOM GDA 700 DAC ( MODDED)
    YAMMY CDC-665
    Marantz 6100 tt w/ schure M97xE
    Monster HTS 3600 power conditioner
    POLK RTA-12C'S W/ RDO194 TWEETS AND DYNAMATED.
    MIT exps2 speaker cables


    B.room sys.
    Parasound HCA 800ll
    Dared sl2000a. W/ matched pair telefunkin black diamond 12at7's
    5jr+(clarity SA caps fully moded)
    MSB Link Dac ll
    Marantz cdp

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    Within his review of the W4S Dac-2, Srajan Ebaen tests the DAC's perfomance direct into the pre-amp with surprising results. Have a look on page 3 (i believe) of his review for 6moons here: http://www.6moons.com/audioreviews/wyred4/dac.html and see his comparisons with and without his $10k pre, as well as some interesting insight into the role of the preamplifier as a stereo component.
    design is where science and art break even.

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    Haven't used an active preamp for at least two years.
    I am just now "experimenting" with a TVC (transformer volume control) - well, or maybe it's an AVC (autoformer volume control)... and I am liking what I am hearing, very much. It is almost certainly gonna stay in the living room hifi.

    http://www.intactaudio.com/atten.html
    all the best,
    mrh

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    Well, I'll throw in my 2 cents. My Oppo has volume control built in, so I went direct to amp and was blown away with how much cleaner it sounded. It was then that I realized that my other components had surpassed my preamp and that my preamp was actually holding my system back. After lots of research I ended up with a Placette preamp because it is know for it's transparency.

    Earlier versions of my rig really benefitted from having my Modwright 9.0 preamp in the mix, so it really depends on the synergy you got going on in your rig.
    Ern Dog's Computer Audio Rig
    Macbook Pro/Amarra version 4318
    Empirical Off Ramp 4
    Chord QuteHD Dac w/MCRU Power supply
    Placette Active Preamp
    Coincident Dragon MK I tube mono blocks
    Tyler Acoustics Linbrook Sig. System
    Anti-mode 8033 sub EQ
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