Was it common for amps around 1980 to be made without a mid control, just bass and treble?
I am expecting a Kenwood KA-60 (1980-82) next week which does not have a mid control:
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Vist our Online StoreWas it common for amps around 1980 to be made without a mid control, just bass and treble?
I am expecting a Kenwood KA-60 (1980-82) next week which does not have a mid control:
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Midrange adjustments weren't common in the 1970s (although they weren't unknown, either). That KA-60 is at the bottom end of Kenwood's product line at the time and is a bare-bones piece of hardware by the standards of the time.
Tone controls, as far as I am concerned, generally do more harm than good. None in my hifi... but that's another story, and it's the answer to a question you didn't ask! :-)
all the best,
mrh
That was fairly common, yes! But many integrateds had cut-offs for Bass and Treble that gave more equalization flexibility. My Pioneer has Bass (200 and 400 HZ turnover control) and a Treble (2000 and 4000hz turnover)--that was also pretty common.
I wouldn't worry about it. Because my Nakamichi Pre-amp has ABSOLUTELY no TONE controls of any kind (same with my tube integrated) and that is often best!
That's an interesting design. What kind of wattage does that put out? Or is it just a pre-amp!
cnh
Last edited by cnh; 03-07-2013 at 01:00 PM.
GOT POLK?
HT-Basement system #2: RTi-A3s, CSi-3, RTi-4s, PSW 12, Sony BDP-S1000ES, Denon AVR 2807 (Onkyo TX-SR 805 System #1 HT AVR)
Office Two Channel: LSi-7s (Nakamichi CA-5, NAD 214 [or, Adcom GFA-545], Pioneer BDP51fd, HK HD990)
Vintage Polks: Polk Monitor 5As, Monitor 10As, SDA-2Bs (Jolida JD-303, Jolida Music Van)
Shape of Polks to come: LSiM series
I believe it's 30watts per channel. I believe it has a pre-amp built in, but my TT also comes with an internal pre-amp that I can use. I'm connecting it to a pair of KHL model 16 speakers and the Polk PSW10.
I am actually disconnecting from a very powerful Superscope PAC770 which I had laying around, but no happy with the balance.
Someone on another thread suggested I switch from a PA amp to phono amp...
The MM phono preamp in the Kenwood will most likely sound better than the "built-in" phono preamp in your turntable.
Remember that, if you use the preamplified output of your tt, you'll need to go into the AUX or TAPE IN jacks on the Kenwood; the line-level and already equalized output of the tt's onboard preamp will overload the phono section in the Kenwood (not to mention get a second and un-needed equalization).
all the best,
mrh
In my experience, preamps and integrateds with midrange controls were the exception rather than norm. As a percentage of units with tone controls, IMO they are in the minority. More popular were controls with selectable turnover ranges, as mentioned above.
Last edited by Glen B; 03-07-2013 at 07:14 PM.
44 years of audio DIY, restorations and mods.
Main system: Denon DP-59L, Audio-Technica AT33EV, Marantz Reference SA-11S2, Classé CP-50, Classé CA-300, Classé DR-10, Classé RC-1, PSB Stratus Goldi's, DIY Balanced Power conditioner, Acoustic Zen and NeoTech cables, Oyaide and Furutech AC power connectors and receptacles.
Tone controls are just junk in the signal path.
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