Jethro Tull: Thick as a Brick
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Michael
Samsung 50" HD DLP
Yamaha RX-V2500
(2) Outlaw 200
Adcom GFA 555
Sony BDP300
Denon 2900 DVD
Lsi9's mains
Lsi7's rear
Lsic center
12.1 SVS driver in 4.53 cuft. tube
Harmony 880
Joni Mitchell - Miles of Aisles (w/the L.A. Express)1974
I'm not a huge Joni Mitchell fan but no one can doubt her influence on folk style music and mmany of the female artists that I like site her as an influence. One of the reasons I like this disc is because of the recording. Very open and intimate for a live recording. Another outstanding SDA disc. She does a few of her major hits and I especially like the live Big Yellow Taxi, Circle Game and Blue.
Bottome line even if you aren't a big Joni Mitchell fan the recording is very much worth it. Simply outstanding because it draws you right in. Also, FYI 70% of the disc is Joni with her guitar and the other 30% includes the L.A. Express who sound fantastic.
H9
P.S. This is also an HDCD for those of you interested
"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass
Pass Aleph 30; Adcom GFP750/Dared SL2000A; Adcom GDA600; MIT S3/Z Pc; SDA 1C; Squeezebox; Tubes add soul!
"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass
Pass Aleph 30; Adcom GFP750/Dared SL2000A; Adcom GDA600; MIT S3/Z Pc; SDA 1C; Squeezebox; Tubes add soul!
Front 242 - ReBoot Live
The experimental nature and live performance skills of Front 242 are captured in this release of a concert given in Belgium. The band, which emerged at the forefront of Chicago's dance scene in the late 1980s, has always made a point of delivering a dynamic show utilizing only live sequencing, eschewing the use of playback tapes. The set list includes such favorites as "Body to Body," "Im Rhythmus Bleiben," "First in First Out," Moldavia," and "HeadHunter," played to an appreciative audience.
Reliving some of my younger days. This is really where "techo" music has it's roots. Some good stuff, if not a bit repetative. I remember going to Wax Trax records on Lincoln in Chicago about twice a month to get the latest new underground releases.
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"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass
Pass Aleph 30; Adcom GFP750/Dared SL2000A; Adcom GDA600; MIT S3/Z Pc; SDA 1C; Squeezebox; Tubes add soul!
Art of Noise- Who's Afraid.....
I continue to regress. Which is fun to finally pull out stuf I haven't listened to in years. Met a female recently and it seems our common interest (among others) is "new wave" underground music from the 80's. Hence the romp thru my past.
Art Of Noise: Trevor Horn, Anne Dudley, J.J. Jeczalik, Gary Langan. The Art of Noise's first full-length release, from 1984, is also their best and most intriguing. Containing the dance club smash "Beat Box (Diversion One)," the MTV favorite "Close (To the Edit)" and the influential, near-ambient "Moments In Love," WHO'S AFRAID is a revolutionary album that changed the course of modern electronic music. Its effects were felt equally in postmodern avant-garde circles and the hippest of dance clubs. Trevor Horn, Anne Dudley, J.J. Jeczalik and Gary Langan's work has both melodic and rhythmic sophistication and, perhaps more importantly, a playful sense of humor. "Snapshot" cheekily quotes The Who's "Baba O'Riley," and the key rhythmic element of "Close (To The Edit)" is the sound of a car ignition. WHO'S AFRAID also has darker moments, like "A Time For Fear," which prominently features tapes of the 1983 US invasion of Grenada, and the foreboding, ambient pieces that end the second side.
H9
"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass
Pass Aleph 30; Adcom GFP750/Dared SL2000A; Adcom GDA600; MIT S3/Z Pc; SDA 1C; Squeezebox; Tubes add soul!
Do you have the black box 3 disc set? link I bought it when it first came out just to get Trent Reznor on vocals with 1000 Homo DJ's version of Supernaut. Discovered a lot of other good stuff on there too :)
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Better to have and not need than to need and not have!
[QUOTE=Halo;650329]Do you have the black box 3 disc set? link I bought it when it first came out just to get Trent Reznor on vocals with 1000 Homo DJ's version of Supernaut. Discovered a lot of other good stuff on there too :)
No sadly I never bought the original, but my brother who is way more into the "new wave" movement of the 80's on a regualr basis does have it and I made a copy. Listened to a lot of Ministry and Cabaret Voltaire, Nitzer Ebb etc......the list goes on and I seriously haven't listened to this stuff in 8-10 years.
Always from day 1 have been a Trent Reznor fan and I think he was influenced heavily by many of the "harder" sythesized industrial music of that era (80's) Skinny Puppy, Front Line Assembly, Revolting Cocks, and on on and on......:)
H9
"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass
Pass Aleph 30; Adcom GFP750/Dared SL2000A; Adcom GDA600; MIT S3/Z Pc; SDA 1C; Squeezebox; Tubes add soul!
Oh yeah, can't forget KMFDM, Jesus Lizard, Propaganda, The Flying Lizards, Siouxie and the Banshee's......and countless others I can't recall.
"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass
Pass Aleph 30; Adcom GFP750/Dared SL2000A; Adcom GDA600; MIT S3/Z Pc; SDA 1C; Squeezebox; Tubes add soul!
I also picked up two of her "bootleg" CD's (both from Rightous Babe Records):
Carnegie Hall 4/6/02 (live)
&
Boston 11/10/06 (live)
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Better to have and not need than to need and not have!
I just bought Black Sabbath WSOSFRR.
I was worried that the CD would suck, but it has pretty good dynamics for that type of music.
Please. Please contact me a ben62670 @ yahoo.com. Make sure to include who you are, and you are from Polk so I don't delete your email. Also I am now physically unable to work on any projects. If you need help let these guys know. There are many people who will help if you let them know where you are.
Thanks
Ben
Tool, as always.
Let me tell you something about life, around every corner monsters await. I know, I am one.
If I owned hell and this place, I would rent this place out and live in hell.
Mains: Anthony Gallo Reference 3.1
Preamp: Modwright SWL9.0SE
Amps: Butler TBD2250, PS Audio Trio
PrePro: Cary Cinema 6, Outlaw 990
DAC: Benchmark DAC1
Universal Player: Denon 2900
Cables: StraightWire Encore II, Kimber Hero, Audioquest Type 4, CV-8, Columbia DBS
Power Conditioner: Belkin PF60
The Borat Soundtrack...hahahaha.
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Originally Posted by troyd
Originally Posted by dorokusai
Been WAY too long. GREAT music. I really, really can't see why they're not more popular.
Very well could be my all time favorite CD.
My Saga
Equipment Pictures
[2CH]
Rotel RCD-02
Yamaha KX-W900U
Sony ST-S500ES
Denon DP-7F
Parasound P/HP-850
Parasound HCA-1000A
Klipsch RF-35
[In Storage]
Yamaha CDR-HD1300
ASL Wave 20 monoblocks
Pro-Ject Phono Box MKII
[Car System]
Pioneer Premier DEH-P860MP
Memphis 16-MCA3004
Boston Acoustic RC520
Ripped a CD my daughter bought: tobyMac - Boomin'
Man, this recording is LOUD.
The new Rush - Best thing they've done in years.
Porcupine Tree - Fear of a Blank Planet
Krauss $ Krall
Zakk Wylde - Book of Shadows
Bob Seger - Greatest Hits
Pink Floyd - DSOTM
Stone Temple Pilots - Thank You
The Police - Every Breath You Take: The Classics
Grizzly Bear Yellow House on vinyl...makes me feel high but I'm not. weird
Von Schweikert VR4-jr
Valve Audio Predator
Denon DVD-2900
PS Audio Digital Link III w/Cullen Level IV Mods
Pro-Ject Xpression w/Blue Point No. 2
Graham Slee Special Edition 2
PS Audio UPC-200
Better to have and not need than to need and not have!
Wilco Sky Blue Sky
I like speakers that are bigger than a small refrigerator but smaller than a big refrigerator:D
Allman Brothers Eat a Peach SACD,
Better to have and not need than to need and not have!
Booker T. & The M.G.'s - The Booker T. Set
1969, Stax X2009, R2R
The world's tightest backing band.
Our polkaudio speakers: RTA 8T (2 pair), CS-300, Atrium 45, Atrium 7, PSW202
2CH rigs: 1. Revel Ultima Gems/LE-1/Sub 15 - Wadia 301 - Bluenote Bellavista/B5 Sig. arm - Dynavector 20-x cartridge - PS Audio GC Series Amp/Pre/Phono Pre 2. Innersound Isis MK3.5 (active Xover mod) - Marchand XM44 - Carver Lightstar Reference Amp/Pre - Carver A-500X - Rega Planet 2000 - Music Hall MMF 5SE - Bottlehead Seduction 3. Cain & Cain Abbeys - Dynaco ST-70 - Dodd MLP - EE MiniMax CDP - Akai 280D-SS
LORDI
http://www.lordi.fi/
Polk Audio SDA SRS 1.2TL's
With new Exotic wood, Sonicaps, Mills & RDO198's - Born on 4-24-1989 and Signed by Matthew Polk!!!!
My Polk SDA SRS 1.2TL's http://www.LASAREATH.com/
It All Started here: http://tinyurl.com/lasareath2
Part Deux: http://tinyurl.com/lasareath3
TNT - All The Way To The Sun
Richard? Who's your favorite Little Rascal? Alfalfa? Or is it........................Spanky?................. ................Sinner.
Johnny Cash, live from san quentin and live from folsom prison...I love these records
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Last edited by JimBRICK; 06-18-2007 at 12:56 AM.
2 CHANNEL
Speaker - Klipsch Heresy II
Under construction
Bon Jovi - Slippery When Wet
Dy-no-myte power rock album!
Our polkaudio speakers: RTA 8T (2 pair), CS-300, Atrium 45, Atrium 7, PSW202
2CH rigs: 1. Revel Ultima Gems/LE-1/Sub 15 - Wadia 301 - Bluenote Bellavista/B5 Sig. arm - Dynavector 20-x cartridge - PS Audio GC Series Amp/Pre/Phono Pre 2. Innersound Isis MK3.5 (active Xover mod) - Marchand XM44 - Carver Lightstar Reference Amp/Pre - Carver A-500X - Rega Planet 2000 - Music Hall MMF 5SE - Bottlehead Seduction 3. Cain & Cain Abbeys - Dynaco ST-70 - Dodd MLP - EE MiniMax CDP - Akai 280D-SS
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