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  1. #1

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    Default Mark Levinson Pre-Amps, How do they stack up.

    To other 2 channel pre's. Anyone using one in their rig.

  2. #2
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    I wish!

  3. #3

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    like everything audio....subjective.Some think they are better than sliced bread,and some think they are too cold sounding.As for me,I have heard some and will agree on the sterile sound.Add to that the price and I think you can do better.Thats not to say I wouldn't pick one up if the price was right,just for giggles.Competition is rampant in that price range.

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    Well, I'm thinking used. But there is alot of nice gear in the used market also.

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    I always wanted a No. (something) in my system just so I could refer to it... :) Yea man, I got a no. 37 preamp and...
    madmax
    Vinyl, the final frontier...

    Avantgarde horns, 300b tubes, thats the kinda crap I want... :D

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    Quote Originally Posted by madmax View Post
    I always wanted a No. (something) in my system just so I could refer to it... :) Yea man, I got a no. 37 preamp and...
    madmax
    I've always lusted after the 333, 150 lbs of clean class A power! Heard it years ago and it didn't sound sterile or cold to me. I won a bid for one on eBay last summer but it turned out to be a scam.

  7. #7

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    Quote Originally Posted by hearingimpared View Post
    I've always lusted after the 333, 150 lbs of clean class A power! Heard it years ago and it didn't sound sterile or cold to me. I won a bid for one on eBay last summer but it turned out to be a scam.
    Actually, the ML stuff of late has leaned towards dark. The Krell stuff has been sterile (the end result of a search for "perfection"...I like the stuff from the late 80s and early 90s, before they became so "perfect"). Not so much the case if you go back to their older stuff. I really liked the 27 and the 23 of years past.

    Bummer on the auction.

    Mark
    System:

    VPI Scout/Benz Ace
    Sutherland PH2000
    Arcam CD72
    Yamaha DVD-CX1 (primarily for CD..26 lbs, all BB D/A)
    Audioprism Mantissa w/Reference PS
    Parasound HCA750 (temporary)
    Audiovector M1 Signatures
    Kimber 4TC x 2

  8. #8
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    Quote Originally Posted by Spacedeckman View Post
    Actually, the ML stuff of late has leaned towards dark. The Krell stuff has been sterile (the end result of a search for "perfection"...I like the stuff from the late 80s and early 90s, before they became so "perfect"). Not so much the case if you go back to their older stuff. I really liked the 27 and the 23 of years past.

    Bummer on the auction.

    Mark
    Well I've heard the sound of amps describes as warm, soft, open, sterile, grainy, harsh, etc, etc, I never heard of an described as "dark." Could you please break that out for me a little more?

  9. #9

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    Quote Originally Posted by hearingimpared View Post
    Well I've heard the sound of amps describes as warm, soft, open, sterile, grainy, harsh, etc, etc, I never heard of an described as "dark." Could you please break that out for me a little more?
    dark = a warm,mellow, excessively rich quality in reproduced sound.the audible effect of a frequency responce which is clockwise tilted across the entire range,so that the output diminishes with increasing frequency.thanks....WCW III ;)
    JAS Audio Bravo 2.3 SE Single ended Class A Tube Integrated Amplifier Svetlana 6C33-B triodes @ 18 wpc-Eastern Electric MiniMax DAC W-LME49990 op amps w Siemens 12AU7 -Black Cat Morpheus cables -Silverline Audio Sonata III

  10. #10
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    Quote Originally Posted by W WALDECKER View Post
    dark = a warm,mellow, excessively rich quality in reproduced sound.the audible effect of a frequency responce which is clockwise tilted across the entire range,so that the output diminishes with increasing frequency.thanks....WCW III ;)
    Does that sound bad to you? It would appear by your description that they are boardering on muddy.

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