I believe he put one too many zero's.
"He who fights with monsters should look to it that he himself does not become a monster. And when you gaze long into an abyss the abyss also gazes into you." Friedrich Nietzsche
Wow. Super super rare speakers?
SDA 1C, SDA 2A, SDA SRS 2, CMT-340SE, Swan M200MKII, Swan D1080MKII, Behringer MS40
Outlaw Audio M2200 x2, GFA 555 II, BGW 750C
GDA 700, Outlaw Audio Model 990, Sansa Fuze, X-Fi Platinum Fatality
There's a pair in Minneapolis for $395
That's a ridiculously high price. Condition depending, an average price would be somewhere in the $350-500 range.
That's not a very good description either...
The nirvana inducer-
APC H10 Power Conditioner
Denon DVD-2910 universal player
DPA The Little Bit Three DAC
Yamaha P-300 turntable/TCC TC-750 phono preamp
Acurus L10 preamp
Adcom GFA-545 power amp
PolkAudio SDA 2A's/PolkAudio Monitor 7A's
Audioquest Type 4 speaker cables
Audioquest Sidewinder IC's
Audioquest Black Mamba IC's
Signal Cable Analog II IC's
I sold a pair for something like $850.00 a few years back. Of course, they were better than new.
"A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a turd by the clean end."
Of course :D :p
BTW will you give us a briefing on what you thought of them?
Too much bass, completely overdone loudspeaker. The 11TL is the winner in that lineup.
The RTA8TL's sound like a good deal for $80.
Polk LSi15 (DB840 upgrade)
Parasound: C/PT-600, HCA-800II; Denon: DVD-2910, DRM-800A; Monster HTS3600-MKII, Grado SR-225i
Denon AVR-888, Polk: RM7, PSW10
Denon: DRA-835R, DRA-825R, DCD-660, DRM-700A, DRR-780; Polk: RTA11TL (RDO198-1, XO and Damping Upgrades), S8, Monitor 5A & 5B, TSi100; Pioneer CT-6R, PL-530; Onkyo CP-1046F; Ortofon OM5E,
I had the RTA 15TL in Minneapolis They are very nice but like dorokusai said they have to much mid bass and in a direct comparsion with RTA 12Bs in three different sessions with three different people the results were consistant across the board. The RTA 12 was WAY more open and clear. The music comming from the RTA 15TL sounded well , like it was coming from a box in comparison. The RTA 12 seemed to be quicker and had better defintion and sounded more like live music. What was a little bit of a surprise was the RTA 12B had more of a foundation on the very very bottom. The RTA 15TL was alittle thicker above that which hurt voices and such. Somewhat like the LS 90 but not as heavy . One experienced listener said "in a heartbeat" he would take the 12s over the 15s and the other commented it sounded like across between a home theater speaker and one for music. Your mileage may vary.
Here is a question , what does RTA have to do with the 15TLs?? On the 12s it is well documented. In fact if you look at the engineering that went into the RTA12s (which were around from 1979 to 1987) with the two crossovers, the top tweeter and even the design of the top hat, the way the outside drivers are rolled off.ect it is no wonder it won so many awards. The 15 just seems like a conventional toer speaker. I looked the crossover on it. Looks pretty simple. So what is with the RTA??
Last edited by geppy1; 06-25-2009 at 01:00 PM.
Old post, I know. I'm a fan of the RTA-15tl. Placement is key. Too close to a wall will be bass heavy, a foot or two out and they are much better. As for pricing, I bought my first pair seven years ago for $75.00 and just bought the second for $260.00. Many other speakers have come and gone, but I won't let go of RTA-15tl's. My 2¢.
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