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#1 |
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Old Polk
Member Sales Rating: (10)
Join Date: Aug 2004
Location: Sarasota, FL
Posts: 3,613
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It's always a wonderful treat when something exceeds your expectations and the GCPH has done just that. After upgrading my 30+ year old TT/TA and investing in a good record cleaning system, it became rather more obvious that some things were amiss in the signal path of my vinyl rig.
![]() My phono stage was another 30+ year old piece -- a Stax headphone amp which, when purchased in 1973, had the most accurate RIAA equalization of any SS gear of the time. Over the years, both the Stax and my hearing have probably drifted a lot. Putting the GCPH in the signal path was a dramatic, night/day difference and something my older ears could easily discern. I make no bones about it -- I'm a fan of PS Audio's products. If you ever find anything in their line that is other than top notch in build quality and functionality, let me know. No surprises with the GCPH, it is flawlessly designed and crafted with quality. Check out the rear panel: ![]() The GCPH is built around two discrete and fully class A balanced gain stages: a high gain, low noise input stage and a Gain Cell for the output stage, with the passive RIAA curve between the two stages. It is flat (<0.1dB) to the RIAA roll-off points at 2122 Hz, 500 Hz and 50 Hz. It exudes balance and clarity and brought the bass in my rig instantly back into harmonic focus. Another selling point for me is the flexibility in supported cartridges. From the rear panel you can adjust the gain of the GCPH to 48dB, 54dB, 60dB and 66dB (balanced) or 42dB, 48dB, 54dB, and 60dB (unbalanced), as well as impedence loading to 100/500/1k/47k ohms. The GCPH sports a dual mono signal path for stellar separation and, consistent with PS Audio's philosopy of high current power supplies for low current draw products, a massive toroidal transformer. It can be used to directly control the power amp (sans preamp), but I haven't tried that as I prefer the convenience of using my preamp's excellent, remote controlled stepped attenuation in balanced, passive mode. Other features include: Front panel gain adjust Mono Stereo Balanced input to output Phase reversal Built in subsonic filter MSRP: $995 (I got mine for $825 shipped) Equipment used with the GCPH: Music Hall MMF-5 SE with Project tone arm and Goldring G1022 cartridge MAS Silver RCA IC's TT to phono stage MAS Silver XLR IC's phono stage to preamp, preamp to power amp Carver Research Lighstar Direct preamp (balanced, passive) Carver Research Lightstar Reference power amp PS Audio UPC-200 PS Audio power cords PS Audio xStream Statement Bi-wire speaker cables Polk Audio SDA SRS, with upgraded, silk dome tweeters and crossover components
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Our polkaudio speakers: RTA 8T (2 pair), CS-300, Atrium 45, Atrium 7, PSW202 2CH rigs: 1. Revel Ultima Gems/LE-1/Sub 15 - Wadia 301 - Bluenote Bellavista/B5 Sig. arm - Dynavector 20-x cartridge - PS Audio GC Series Amp/Pre/Phono Pre 2. Innersound Isis MK3.5 (active Xover mod) - Marchand XM44 - Carver Lightstar Reference Amp/Pre - Carver A-500X - Rega Planet 2000 - Music Hall MMF 5SE - Bottlehead Seduction 3. Cain & Cain Abbeys - Dynaco ST-70 - Dodd MLP - EE MiniMax CDP - Akai 280D-SS Last edited by BlueMDPicker; 02-19-2006 at 10:42 AM.. |
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#3 | |
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Member Sales Rating: (3)
Join Date: May 2003
Location: Southern New Jersey
Posts: 4,498
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Excellent. Isn't it great when a purchase turns out be a true improvement. Gives one a real sense of satisfaction...
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#4 |
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Member Sales Rating: (19)
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Very nice Mike, Phono stages do make a difference, when I get my thoughts together I'll post up on the Acoustech.
RT1
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REEL TIME THEATRE B&K 317 AVR B&K 7270/Polk SWA-500 OppO BDP-83 Pioneer Elite 50" Polk LCi-RTS-105;LCi-RTS-C;LCi-RTSFx;LCi80Fx Subs-Twin Polk CSW200 HTS5000 RABBIT HOLE RIG BAT VK-31SE Wolcott Presence monoblocks Musical Fidelity kW SACD Esoteric DV-50 Rega P25/RB600/Clearaudio Aurum Beta Acoustech Phono-Pre Sound Lab Millenium ELS BillyBags Rack MIT S1/3 cables Shunyata/PS Audio/Virtual Dynamics Power Cords Everything Matters--MadMax |
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